Alliteration Ink, who I had the joy of working with on Steampunk World, returns with another crowdfunding project for their next anthology STEAMPUNK UNIVERSE. Moe info below, and please spread the word!
Steampunk Universe: A diverse steampunk anthology featuring aneurotypical and disabled characters.
We keep getting told that steampunk is not diverse.
We want to keep proving them wrong.
Two and a half years ago, we brought you the award-winning anthology Steampunk World, a diverse collection of steampunk fiction. Since then, there have been a number of other prominent anthologies and works of diverse steampunk fiction. That is exactly what we hoped would happen.
But it is not enough.
We want to see even more diversity. We want to see characters like all our friends and all the members of our families. We want fully developed characters in steampunk – and all fiction – who are disabled or aneurotypical. We want more than “token” characters, and clichéd plots.
We were told it was too hard – especially in a genre like steampunk.
We are going to prove them wrong again…and we want you to join us.
Join editor Sarah Hans, our cover artist James Ng, and contributors Ken Liu, Jody Lynn Nye, Maurice Broaddus, Malon Edwards, Emily Cataneo, Pip Ballantine, Victor Ocampo, Suna Dasi, Lyndsay E. Gilbert, Kate Coe, Liam Hogan, Zach Chapman, Andrew Knighton, Matthew Bright, Candida Spillard, and Diana Pho today.
Steampunk can be diverse. And if steampunk can be diverse, it can be done anywhere.
Filed under: Announcement, Beyond Victoriana Odds and Ends Tagged: alliteration ink, anthology, fiction, steampunk universe
This extreme vision is known as ‘Manhattanism’, which was a term coined in 1978 by the Dutch architect Rem Koolhaas. In his book, Delirious New York, Koolhaas wrote, "Manhattanism is the one urbanistic ideology that has fed, from its conception, on the splendors and miseries of the metropolitan condition—hyper-density—without once losing faith in it as the basis for a desirable modern culture. Manhattan’s architecture is a paradigm for the exploitation of congestion."
Manhattanism is a theme that appears in a lot of Dieselpunk creations. The most famous being the proto-Dieselpunk movie 'Metropolis', which became the theme for so many Dieselpunk cities.
Metropolis (movie), 1927
Hugh Ferriss, The Metropolis of Tomorrow (book), 1929
Just Imagine (movie), 1930
Batman (movie), 1989New Cap City from Caprica (television), 2010
Metropolis in DC ComicsClick here for an interesting online article about Manhattanism, Star Wars and Metropolis.
Immersive Games and Escape RoomsI've just discovered this community with some delight. I design Escape Rooms, and have just pitched a steampunk twist to a commission for a Victorian grade 1 listed building. I want to make sure that it is inventive whilst staying true to the accepted tropes of Steampunk. There will be brass, there will be cogs, there will be goggles! :)I'm going to have a look around and see what you are all up to. See More
This year, I’m excited to participate in two dramatically different (but equally fun) events for New York Comic Con! Details below.
For the fourth year, the GEEKS OF COLOR panel returns to New York Comic Con. Plus, fans can meet up afterwards for mingling, giveaways and more! Details & bios below.
#GeeksofColorNYCC #NYCCMeetups #NYCC
Geeks of Color
Saturday, October 8
1:30 – 2:30 PM
Description: Geeks of Color Episode 4: The Force Awakens continues to speak about the latest developments concerning representation across the creative industries and how PoC can succeed in comics, book publishing, online media, and more. Featuring Jennifer Baker (Forbes.com, Minorities in Publishing podcast), Bill Campbell (publisher, Rosarium Press), Andrea Lee (Got 2B Real webseries), Sarah Kuhn (author, Heroine Complex), Quressa Robinson (editor) . Moderated by Diana Pho (editor, Tor Books).
Geeks of Color Meetup
Saturday, October 8
2:45 PM – 3:45 PM
Description: Welcome to the Geeks of Color Meetup, a welcoming space for fans of color to chill and connect. Come with your friends, show off your cosplay, and network with professionals about working in the creative industries of comics, book publishing, and online media. Featuring Jenn Baker (Forbes.com, Minorities in Publishing podcast), Bill Campbell (publisher, Rosarium Press), Andrea Lee (Got 2B Real webseries), Quressa Robinson (editor), and Diana M. Pho (editor, Tor Books). Free book giveaways included!
JENNIFER BAKER is a publishing professional of 14 years, creator/host of the Minorities in Publishing podcast, panels organizer for the nonprofit We Need Diverse Books, and social media director and writing instructor for Sackett Street Writers’ Workshop. Her writing has appeared in various print outlets and she has contributed to Forbes.com and Bustle among other online publications.
Twitter & Instagram: @jbakernyc
BILL CAMPBELL is the author of Sunshine Patriots, My Booty Novel, and Pop Culture: Politics, Puns, “Poohbutt” from a Liberal Stay-at-Home Dad and Koontown Killing Kaper. Along with Edward Austin Hall, he co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturism and Beyond. Last year, he also co-edited (along with Nisi Shawl) Stories for Chip: A Tribute to Samuel R. Delany. Campbell recently received the Glyph Pioneer Lifetime Achievement Award for his work on the charity comics anthology, APB: Artists against Police Brutality (co-edited with Jason Rodriguez and John Jennings). Campbell lives in Washington, DC, where he spends his time with his family, helps produce audio books for the blind, and helms Rosarium Publishing.
ANDREA LEE is an actress, writer, singer, artist, and content creator. In 2011, Lee took her love of writing and acting to YouTube and birthed the web series Got 2B Real under the alias “Patti LaHelle.” The show parodied the likes of a long list of divas in the music business, all dialogue tied together with eye rolling and rapid-fire witticisms. Since its release the show has garnered over 48,000 subscribers on YouTube, 8.7 million views, and features by Vibe Magazine, Buzz Feed, TribecaFilm, Marie Claire, and many more.
SARAH KUHN is the author of Heroine Complex—the first in a series starring Asian American superheroines—for DAW Books. She also wrote “The Ruby Equation” (with artist Sally Jane Thompson) for the Eisner-nominated comics anthology Fresh Romance and the romantic comedy novella One Con Glory, which earned praise from io9 and USA Today and is in development as a feature film. Her articles and essays on such topics as geek girl culture, Asian American representation, and Sailor Moon cosplay have appeared in The Toast, The Mary Sue, Uncanny Magazine, AngryAsianMan.com, IGN.com, Back Stage, The Hollywood Reporter, StarTrek.com, and the Hugo-nominated anthology Chicks Dig Comics. In 2011, she was selected as a finalist for the CAPE (Coalition of Asian Pacifics in Entertainment) New Writers Award.
QURESSA ROBINSON works as an editor and her titles include SPELLS OF BLOOD AND KIN, CERTAIN DARK THINGS, THE SPICE BOX LETTERS, THE BEAUTIFUL ONES, THE ONE THAT GOT AWAY, THE ATLAS OF FORGOTTEN PLACES, the DESERT WOLF series, and many more to come. She is an alumnus of the University of California Santa Cruz, Columbia University’s MFA program, and House Slytherin. There is power in the dark side.
The San Francisco-based team behind the literary erotic fanfiction competition SHIPWRECK returns for one unforgettable night in October to take on William Goldman’s The Princess Bride at New York Comic Con in celebration of the launch of Shipwreck’s first anthology, Loose Lips, forthcoming from Grand Central Publishing on 9/27.
SHIPWRECK invites six Great Writers to write fanfic about characters from one Great Book, and you get to decide the winner before we reveal who wrote what. How? All fics are read by our Thespian-In-Residence, Mara Wilson.
See! Six respected writers debase themselves for applause and dick jokes. Marvel! As beloved characters are plucked from their worlds and made to do stuff they were never meant to do in places they were never meant to see. Pray! That you never have to sit on stage and face a crowd while someone else reads your fanfic. Enjoy! The nerdy a cappella of Choirfly. Drink! A lot, probably.
Featuring: Michelle Hodkin, Daniel Jose Older, Arianna Rebolini & Katie Heaney, Seanan McGuire, Diana Pho, & Dana Schwartz.
PLEASE NOTE: No children are ever harmed at Shipwreck, and consent and inclusion are paramount. We’re not dicks, we just like dick jokes. Shipwreck is brought to you by Booksmith, Amy Stephenson, and Casey Childers.
**Tickets can be purchased online via credit card up to 30 minutes before the listed start time. Tickets bought on-site at the door must be purchased via cash-only**
Filed under: Announcement, Conventions Tagged: New York Comic Con
"Successful book launch for Eye of the Beholder & Other Tales, second in the Adventures of Viola Stewart series."
"Successful book launch for Eye of the Beholder & Other Tales, second in the Adventures of Viola Stewart series."
"'Kingdom of Clockwork', a clockpunk novel set in Scandinavia, has just entered its third edition. www.blackswan.dk"
Join the CWC and Help Write a Collaborative Steampunk Novel Starting in December!The Collaborative Writing Challenge (CWC) coordinates novels that are written together by dozens of authors. Unlike other collaborations, the authors have no contact with each other and rely on a story coordinator to steer the story. 4-5 authors attempt a new chapter each week until you end with a finished novel. Many writers sign up for multiple chapters to try in order to increase their chance of being chosen and getting some writing credentials to bolster their writing resumes. Go to the website to find out more.Sign-ups for the whole project and the submission window for potential first chapters are going on RIGHT NOW so go sign up!!!See More
What if Hitler had died in the gas attack on his trenches of World War 1? What if FDR had died from polio, like so many did at the time, rather than lived? What if Lord Halifax had not stepped down and had signed a peace treaty with Hitler?
Alternate history, also known as counterfactual history, are common in the dieselpunk genre.
According to Jeremy Black and Donald M. MacRaild, in their book Studying History, counterfactual history is, "at the very root, the idea of conjecturing on what did not happen, or what might have happened, in order to understand what did happen."
Dieselpunk novel "Man in the High Castle" written by Philip K Dick, now an series on Amazon PrimeSometimes the world resulting from counterfactual history are very similar to ours while others are dramatically different. According to William R Forstchen, in his introduction to the classic If the Allies Had Fallen the counterfactual timeline that creates an alternative world (known as a ‘uchronia’), "enables us to seriously contemplates how, at times, the decision of but one person can change the world, impacting our lives for the better or worse - if indeed we would have a world at all."
Click here for an interesting blog dedicated to counterfactual history.
Click here for an online list of novels based on counterfactual history
Click here for the web site of the The Sidewise Awards for Alternate History, which awards the best counterfactual history
Do you want to write a counterfactual history story? Here’s a good article on what to avoid
The Danube Research ConsortiumWebsite is now up, stop by to visit!http://danuberesearchconsortium.com/See More
"http://danuberesearchconsortium.com/ Because what is Teslapunk without research?"
Previously I had in my heading the following: “Celebrating All Things Dieselpunk”. While I still plan on do so here, I thought that heading needed to be updated for my new focus. So it now reads, “Imagining a Better Future by Re-imagining the Past.”
In addition, I’ve rewritten my statement “What is Dieselpunk?” from “Dieselpunk is a subculture and style that combines the zeitgeist of the 1920s through the 1940s with postmodern sensibilities”. It now reads, “Dieselpunk is a mashup of modern ideas with the style and spirit of the 1920s through the early 1950s. The goal is to combine the zeitgeist of the past with today's ideas in order to build a better tomorrow.”
Rolls Royce Jonckheere Aerodynamic Coupe ll concept by Ugur Sahin Design
A few months ago my fiancée, now my wife, was spending some time with her daughter. During their conversation the subject of my involvement in Dieselpunk arose. My future wife described Dieselpunk to her daughter as “modern ideas combined with the styles of the 1920s through 1940s”. I’ve been intrigued by this description ever since she told me about it. To explain why, I need to start with a review of the various definitions of Dieselpunk.
Here on my blog I define Dieselpunk as a ‘a subculture and style that combines the zeitgeist of the 1920s through the 1940s with postmodern sensibilities’. My good friend John Pyka, Big Daddy Cool, defines it as ‘retrofuturism of the 1920s through 40s’. Tome Wilson, one of the Founding Fathers of Dieselpunk, defines it as, ‘an art style that blends the spirit of the 1920s - 1950s with contemporary technology and attitude’.
All of these standard definitions have one thing in common. They all place the Diesel Era as the center and today as being the modifier.
My wife though turned the focus of Dieselpunk on its head. Rather than placing the center of the genre on the past, what if we make today the center. The more I think about this idea the more excited I get about its implications.
One implication is that it acknowledges how good the times are right now in so much of the world. I have friends who say that they think my love of Dieselpunk means I would prefer to live during the Diesel Era. They’re so wrong.
I have no interest in giving up the technology of today. When it’s 100f outside why would I want to give up air conditioning? My wife and I recently had dental work done. Would I prefer to have Diesel Era dentistry over modern? Nope, nope, nope.
Hell noThis goes far beyond modern material conditions. I life the direction our society is going in the way of values. I have no interest in going back to the racism and sexism of the Diesel Era. I like the fact that the US has an African-American for President. I like the fact that women now lead both the UK and Germany and that a major US political party has nominated a woman to run for President. I like that equal marriage is now the law of the land in the US, UK and many other countries.
Those are just a few of the things good about today. There is so much more that I barely scratched the surface. However, with all of the goodness of today there’s so much goodness that has been lost.
In my opinion, and I suspect for most of my readers, much of the fashion of the Diesel Era was far better than that of today. That quickly becomes evident when a Dieselpunk goes out in public. It’s not uncommon for me to be complimented by a stranger on how “dapper” I look. Men stop me and ask where I bought my fedora or my black-white wingtips. I find it interesting when I receiving these questions from men standing there wearing the ‘National Uniform’ (i.e. t-shirt, baseball cap, cargo pants, and either tennis shoes or flips-flops).
We’ve also lost an aesthetic to industrial design that existed during the Diesel Era that added value and character to the product. We’ve lost the magic of radio where the mind painted the picture rather than spoon feed it by a television screen.
Most importantly we’ve lost a progressive faith in humanity that believed that through human effort we could make the world a better place. New technologies such as the airplane, cars, diesel locomotives and more, that improved the world were appearing. Though severely flawed, Prohibition was conceived on the notion that through the law social ills such resulting from alcoholism such as domestic abuse and poverty could be solved. The New Deal was based on the idea that the economic disaster of the Great Depression was human made and therefore human effort, rather than waiting on market forces and business cycles, could raise the nation up. The Greatest Generation stormed the beaches of Normandy and the Pacific Islands in the faith that their sacrifices could save the world from evil.
The Spirit of the Diesel Era
The most important implication of my wife’s definition is an acknowledgment that the past is dead and cannot be changed. However, we can do our part to change today and, most importantly, be a positive influence for the future.
We can read ‘What If?’ stories in which Hitler was executed rather than imprisoned after the Beer Hall Putsch, thereby preventing the Holocaust. But we can’t go back in time and make it real. Yet we can help prevent future fascists by reminding the world that Hitler was democratically elected by desperate and angry people such as today. We can remind the world that the Conservatives thought that they could control Hitler. We can remind the world how the Holocaust began by first labeling people, which started Germany down the path of slaughtering people on a historic scale.
We can imagine a Diesel Era with Art Deco rockets, flying Packards, and chrome grilled robots. But the truth is that these never existed and we can’t change that fact. However, we can put influence on manufacturers to build our cars, computers, televisions and other technology with the same good taste of aesthetics as the Interbellum period that added class and value. That bland, dull screen that you’re reading this blog post on doesn’t to be like that. We should expect and demand better.
We can illustrate women with gorgeous gowns and men in fedoras and sharp three-piece suits as though those styles never went out of fashion. But they did go out of fashion. However, we can put market pressure on retailers by shopping, either online or in brick and mortar shops, those few sources that sale the styles of the Diesel Era. Then we can encourage others by setting an example through the wearing of the best of vintage clothes with the best of today’s fashion.
Applying classic taste to modern fashion
We should still reimagine the past because that’s an important element of Dieselpunk and that’s one of its strengths. However, let’s make the goal of reimagining the past to be to reimagine a better today and a better tomorrow.
I encourage my readers to join me in the Forum on Dieselpunks.org to discuss this exciting new vision of Dieselpunk.